Judith Rossner’s 70s novel, August, is about a psychoanalyst and the young adult client she sees during the month when all therapists take vacation. Someone needs to write the novel about an agent and the young adult novelist who pitches in August and hears crickets. Is everyone on vacation in August? Yup. August is about beach books and cabin reads. Swinging in a hammock with a… [Read More]
Publishing is a business. Books are products. When you want to publish your book you need to understand that you are introducing a new product into a crowded market with decreasing demand. The number of books published each year has exploded. The average number of sales for each book continues to decline, despite the increasing number of titles published. For every spot available in bookstore… [Read More]
Where should your book be reviewed? What literary journals and magazines should you submit excerpts or adaptations to? Which bookstore events will be worth your while? Are there podcasts or radio interviews you should book to promote your new release? These and other questions you may have when you begin to put together a marketing strategy are not easy to answer. Studying your comp titles… [Read More]
Who are your readers? They are not your family and friends. And don’t expect them to buy the book when it comes out. Unless they are in it. And that might not always be a good thing. Who are the people who don’t know you and will be pulled to your book enough to take money out of their pocket to buy it so they… [Read More]
It is the author’s responsibility to seek endorsements for their books and publishers expect you to get them. Blurbs – often only a few words or phrase of praise from a high profile author, celebrity, or expert – appear on a book’s cover or dust jacket flaps. Blurbs are also used in query letters to agents, on tip sheets to booksellers, in marketing materials and… [Read More]
Agents and publishers in their submission guidelines often ask for a list of comparable titles. By identifying these books, they can estimate the size of the print run and a P&L (profit-and-loss statement). Identifying the current books on the market which serve the needs of your readers helps you with the business of being an author and your bottom-line, too. The comparative title analysis identifies the authors… [Read More]
To be an author is a status many work hard to attain. Most of that work is invisible to the reader’s eye. Much of it doesn’t involve creative writing. The roles and responsibilities of an author go far beyond producing a wonderful manuscript. Writer is one role and the manuscript is one important responsibility. There are other roles besides writer and many more responsibilities. The role… [Read More]
“If you don’t have time to read, you don’t have time the time (or the tools) to write. Simple as that,” Stephen King wrote in his memoir, On Writing. When I hear from aspiring authors they don’t have time to read, I think about Stephen King’s observation. The likelihood of publication plummets when a writer doesn’t read. It IS that simple. As a developmental editor… [Read More]
It is the author’s responsibility to seek endorsements for their books and publishers expect you to get them. Blurbs – often only a few words from an endorsement from a high profile author, celebrity or expert – appear on a book’s cover or dust jacket flaps. Blurbs are used in letters to solicit book reviews, on tip sheets to booksellers, in marketing materials and press… [Read More]
More than any other reason, acquisition editors use the lack of an audience platform to reject a book project. They look at more than the numbers of followers, friends, tweeps and subscribers to assess the size of your reading audience. Social media metrics are one indication of an author’s potential customer base. There are many others. Here’s a list of what an agent or acquisition… [Read More]