You spend years working toward the publication of your book. Take writing classes. Attend workshops. Mingle at literary conferences. Develop your craft. Work with a writing coach. Write the manuscript. Hire an editor. Revise and rewrite. Build a website and blog every week. Grow an audience platform. Write reviews of books by authors you admire. Polish a proposal. Query agents. Receive rejection after rejection. And you wonder if it will stop hurting so much if you simply give up now. When you get a “no” it hurts. You doubt yourself. You question whether the book you’ve written is any good. You wonder if you’ve been suffering from grandiose delusions about your own talents. When you reread the latest rejection letter a few days later, you might see a glimmer of hope. The agent complimented your writing but didn’t think it was right for them or didn’t think they were the right person to sell the project. So maybe, you think, it’s not you or your writing but simply this wasn’t the right agent. Or maybe the agent is right about an insufficient audience platform, the lack of character development, or the first 10 pages didn’t have a strong enough hook. And you go back to work. You struggle to improve the manuscript. Tighten the narrative arc. Deepen the characters. Figure out a way to repackage the project. Submit essays, poems, or short stories for publication in literary journals or popular magazines. Give readings of your work-in-progress. Expand your social network.…
“Attendance at BookExpo America last week, including BlogWorld, was 23,067. Excluding BlogWorld, whose participants were not included in last year’s attendance figures, attendance was 21,664, down just 255, or 1.2%, from 21,919 in 2010. BEA emphasized that this year’s slightly lower number reflected higher standards: the show “strategically vetted more attendee groups to improve the quality of those participating in BEA.” One resulting major change:… [Read More]
Leave it to a creative director from one of the world’s biggest internet marketing companies to creatively call into question many of the old assumptions about book publishing. With his wacky sense of humor, Andrew Kessler opened a Book Store on Hudson Street in New York City to launch his new book, Martian Summer (Pegasus). It’s not a Books Store; it’s a Book Store. Just… [Read More]
Fresh from the press, my new copy of Risk Rules: How Local Politics Threaten the Local Economy arrived and it is really a study of unintended consequences. Authors Marvin Zonis, Dan Lefkovitz, Sam Wilkin and Joseph Yackley offer a new way to understand the global political economy. Here are seven questions posed about the current state of affairs and the author’s answers. 1) Obviously, there’s… [Read More]
The past never goes anywhere. It is with us always. In the culture of the “now” we risk losing out on the transformative power of recollecting that which has passed away. Reflecting upon personal gains and losses through the lenses of accumulated experience and knowledge guides one towards a more meaningful life. Ignoring the past is folly. Know where you’ve been to get where you’re… [Read More]
If you want to watch a rising star with a bestselling book, look to Andrew Kessler and Martian Summer. He’s part gonzo journalist, i.e. Mary Roach with gonads, and part wacky hip ad-man, i. e. his real life gig as Creative Director, HUGE. The social media buzz isn’t shameless self-promotion; it’s comedy central. Yup, the book trailers are only a piece to this sweet marketing mix… [Read More]



