When you write a book length manuscript you need to keep the story moving forward. Every scene, every sentence, every word should serve to advance the storyline. When editors talk about “pacing,” they refer to the narrator’s ability to keep the reader turning the page. Have you ever heard someone tell a joke that went on for so long by the time the punch line came you moaned instead of laughed? With comedy, timing is what makes it funny. It’s hard to recognize good pacing, but readers notice when it is lacking. Pacing is about the manipulation of time in text. If you are looking for a rule of thumb, this is it: When nothing happens, hurry it up. When there’s action, slow down and spell out every detail. Avoid summarizing major events. Instead, spell them out with details, particulars, specifics. If you’ve ever been in a car accident, then you know the sensation of time slowing down as the crash occurs. Carry this experience into your writing. The minutes prior to the crash whiz by at 70 mph. The second you lose control of the vehicle, time stretches and warps like slow-motion video. During the climax scene, the number of words you write will be tenfold the number about the passage of several years prior to the crisis moment. What takes only seconds or minutes in real time might be covered in ten paragraphs or ten pages. Tempo. Speed. Rhythm. Pacing is the part of an author’s composition which…
Writing dialogue is about capturing a character’s voice and revealing her or his motivations. Good dialogue engages the reader in a dynamic exchange between characters. It quickens the pace when there is no action and moves the plot forward. Bad dialogue only relays expository information, which doesn’t feel real to the reader who can’t believe your characters would talk like that to each other. Although… [Read More]
If you are writer who seeks publication you probably know you need to blog. You’ve heard it’s necessary to build an audience platform. So you know WHY to blog. But HOW do you blog so you get found online? Search Engine Optimization (SEO) is a subject duller than watching paint dry for most authors. It doesn’t have to be. And it can’t be if you… [Read More]
Unorthodox: The Scandalous Rejection of My Hasidic Roots (Simon & Schuster, 2012) is Deborah Feldman’s memoir of growing up in Brooklyn in the most insular of Chasidic sects, the Satmars. Fathered by the village idiot and abandoned by her mother, Feldman is raised by her grandparents, a bride at 17, a mother at 19, and a divorcee at 22—at which age she enrolls in Sarah… [Read More]
Okay, there’s no real shortcut to writing, per se. Writing requires you sit down, collect your thoughts, organize them, and turn them into text. But as a writer, I sometimes wonder what button or link I inadvertently touched that made my computer do something wacky and unexpected. Then I realize my knowledge of a set of shortcuts on the keyboard may help me get out… [Read More]
Alexandra Fuller’s latest book, The Cocktail Hour Under the Tree of Forgetfulness (Penguin Press HC 2011) continues to roam around in my imagination more than a month after I finished reading it. She is a memoirist who transports the reader to a time and place you could never otherwise know and experience it with compassion and good humor. Even her title invites the reader to… [Read More]



