Writing Memoir: Author, Narrator, Protagonist Memoir has become nearly as popular a genre as fiction. It’s the stuff of which movies are made. Almost everyone I meet thinks they have a story worth telling. And today nearly everyone thinks they can publish their memoir. Brooke Warner, publisher of She Writes Press, recently suggested in The Huffington Post the pursuit of publication is a birthright. Finding a traditional publisher, however, is not. If you write a poem it does not make you a poet. This is not to suggest the only value found in writing poetry is in getting paid for it. The same is true for memoir. There are many reasons to write. Publishing is only one of them. A memoir intended to be sold as a book requires a writer collapse three roles into one: author, narrator, and protagonist. As an author, you write for an audience, for your readers. It means going public. Your personal life goes under review and readers judge you. Writing your story and publishing your story are two very different things. You need to write first before you can publish. But writing your story for the public may involve rewriting when you consider the ramifications of your words on those you write about and the effect it has on readers. As the narrator of the story, you write from your first-person point-of-view. The readers, however, judge a narrator on a variety of qualities, including how reliable you are. The narrator’s style and voice may…
Blame Aristotle. Blame classical Greek culture. Blame all of Western Civilization. But every story must have a beginning, middle, and end. And more than that. Without narrative structure, non-fiction writing is just a boring recitation of one thing after another. You may think because it is based on your experiences, historical events, scientific experimentation, or natural observations that you don’t need a story to write… [Read More]
Often when people plan to write a book, they dream their book will get published by one of the big publishers – Hatchette, Penguin Random House, Simon & Schuster, or HarperCollins. My story is different and I’ve always been grateful to have gotten in on the ground floor with a small publisher. When my son was about 6 months old, I began working very part-time… [Read More]
Let’s skip the stories about famous books that were rejected thirty, forty, or fifty-seven times before getting published and becoming well-loved classics. And forget about Stephen King’s nail on the wall that became so heavy with rejections it pulled loose from the wood. Intellectually, we all know rejection is a part of the game, but emotionally… well, emotionally, it’s a different story. So how can… [Read More]
The hardest part of my job as a book development editor is delivering bad news to a writer. An agent is not interested in offering you representation. An acquisition editor decides to pass after reading your proposal and sample chapters. You failed to make necessary editorial revisions. Rejection is a hard message to deliver. And it happens to be a task I do more often… [Read More]
Getting your writing published in a literary journal is an important way to improve your chances of getting your nonfiction (or memoir) book manuscript published. When your writing is published in a literary journal it provides a publisher with evidence you can meet professional standards and others find your work compelling. Literary journals are often considered gatekeepers to the publishing community. Which literary journals should… [Read More]



