Learning how to become an editor doesn’t happen overnight. Editing isn’t a college major. Some English degree programs offer a specialization in editing and publishing, most do not. There are a handful of certificate programs in professional and graduate degree programs, but the art of editing goes far beyond knowing grammar and the basics of copyediting. A full-time job as an editor isn’t an entry-level position and many recent graduates who might one day become editors have a difficult time navigating a route to this career goal. Many publishers won’t hire someone full-time who hasn’t already had an internship or two. And while they offer internships, typically they are unpaid and sometimes require a student register for college course credit. Instead of getting paid to work, they pay several thousands of dollars in tuition to gain valuable work experience. As a former college professor who supervised some of these internships, I would be disheartened to learn students had been given low-level tasks to perform which did not increase their skill sets or worse, had them perform tasks which the company ought to have hired an employee to do. Too often, interns provided an unpaid labor pool instead of an apprenticeship. Cultivating the next generation of editors requires mentors who can offer educational opportunities within a workplace setting. Instead of treating an intern as unpaid labor, cultivating their strengths and working on building new skill sets takes time and effort that goes beyond the regular work demands of running a business.…
This summer Samantha Kolb completed an internship with Swenson Book Development LLC. Here she shares some of what she learned in the last 10 weeks. As an English major, I have learned to endure perplexed looks when family and friends ask what my major is. I have also learned to gracefully answer no to the follow-up question; “Oh, are you going to be an English… [Read More]
The business of publishing continues to evolve and new finance models have emerged in recent years. There is a lot of new middle ground between self-publishing – Amazon, Smashwords, Lulu – and the traditional route of finding an agent who sells your work to one of the big commercial trade presses – Penguin Random House, Hatchette Book Group, Harper Collins, Macmillan, and Simon & Schuster…. [Read More]
Blame Aristotle. Blame classical Greek culture. Blame all of Western Civilization. But every story must have a beginning, middle, and end. And more than that. Without narrative structure, non-fiction writing is just a boring recitation of one thing after another. You may think because it is based on your experiences, historical events, scientific experimentation, or natural observations that you don’t need a story to write… [Read More]
Often when people plan to write a book, they dream their book will get published by one of the big publishers – Hatchette, Penguin Random House, Simon & Schuster, or HarperCollins. My story is different and I’ve always been grateful to have gotten in on the ground floor with a small publisher. When my son was about 6 months old, I began working very part-time… [Read More]
Let’s skip the stories about famous books that were rejected thirty, forty, or fifty-seven times before getting published and becoming well-loved classics. And forget about Stephen King’s nail on the wall that became so heavy with rejections it pulled loose from the wood. Intellectually, we all know rejection is a part of the game, but emotionally… well, emotionally, it’s a different story. So how can… [Read More]



