The business of publishing continues to evolve and new finance models have emerged in recent years. There is a lot of new middle ground between self-publishing – Amazon, Smashwords, Lulu – and the traditional route of finding an agent who sells your work to one of the big commercial trade presses – Penguin Random House, Hatchette Book Group, Harper Collins, Macmillan, and Simon & Schuster. Small and independent presses can’t offer authors large advances or extravagant marketing campaigns, but they do offer many advantages over self-publishing including distribution. Most self-published authors recognize the difficulty of getting their books into retail stores and libraries because they lack access to the distribution systems used by publishers. Finding a good fit with a small publisher who champions your manuscript can be an ideal scenario for authors. Academic presses shouldn’t be overlooked. It might surprise you to discover which university presses today publish commercial nonfiction, memoir, even fiction. Some presses, if they endorse your manuscript editorially, may negotiate with an author for a subsidy to proceed with publication. When an author invests in the initial production costs, it is possible to negotiate a higher copyright royalty rate in lieu of an advance. Subsidy publication is an avenue to explore if the author has the financial resources or can find a benefactor to provide a subsidy for the production expenses of publication. Subsidy publication is a “dirty little secret” in the publishing business. Many traditional publishers don’t want it well known that such business arrangements can…

Let’s skip the stories about famous books that were rejected thirty, forty, or fifty-seven times before getting published and becoming well-loved classics. And forget about Stephen King’s nail on the wall that became so heavy with rejections it pulled loose from the wood. Intellectually, we all know rejection is a part of the game, but emotionally… well, emotionally, it’s a different story. So how can we deal with it better, which is to say without becoming bitter, disheartened, or outright depressed? The truth is, successful writers have all found a way to deal with rejection. They accept it or, at least, work through it. As a test of this statement, consider what happens to those who bow under the pressure: they stop writing. From this perspective, then, it’s really a problem of movement. Of momentum. Successful writers are those who keep moving. They, like everyone else, face rejection and keep going. No matter if it’s a form letter, an editor or agent writing personally to say, “thanks, but no thanks,” or a bad review, the professional writer continues to write. Here are some ways to keep the momentum going after a project is rejected: Reframe rejection as a positive step in your growth and development as a writer. Consider looking it this way: you’ve worked hard creating a story or maybe even a full book manuscript. You’ve edited and rewritten and edited. You’ve researched markets, and, finally, submitted. To a certain degree, it’s a case of mission accomplished. The next…

Who should you send a query letter to? Agents – If you are writing fiction, memoir, or a children’s books, you must have an agent who will represent your work to publishers. Publishers – If you are writing nonfiction or poetry, you can query the publisher. TIP: Research the agency or publisher. Visit their website and check their submission guidelines.   How do I find agents or publishers who will be interested in my book project? There are lots of useful sites which can help you identify the right agent or publisher for your writing. Here are some you may find useful. AgentQuery.com QueryTracker.net WritersMarket.com ManuscriptWishList.com Poets & Writers Guide to Literary Agents   Writer’s Market publishes two annual reference guides to finding agents and publishers you should consult. Guide to Literary Agents 2016 edited by Chuck Sambuchino includes sample query letters, informative articles, success stories, features on new agents, and listings for more than a thousand literary agents. Writer’s Market 2016 edited by Robert Lee Brewer includes far more than listings for book publishers. They also provide up-to-date information on consumer and trade magazines, contests and awards, lists of professional writing organizations, and timely articles related to the business of being a writer. Some of the best ways to find the right agent for book include looking at comparable books to yours and seeing who the publishers are and reading the acknowledgements to see which editors worked with the author and which agent, if any, represented their work. Attend…