How far should a daughter go to fix a fraught relationship with her mother? Rica Ramos-Keenum examines this question in her forthcoming memoir, Nobody’s Daughter: A Memoir of Healing the Mother Wound, which releases from She Writes Press on May 9. In her early forties and about to remarry, Rica Ramos realizes that starting over could mean leaving her mother behind. She longs to heal the relationship, but her mother still refuses to acknowledge the sexual abuse Rica suffered at the hands of her stepfather, or her own culpability throughout the years. With old traumas resurfacing and a new life unfolding before her, Rica grasps the power of unspoken grief—and the potential to suffer or heal. Will she and her mother ever cross the chasm between them, or are some secrets meant to stay buried? As Rica navigates her options, she faces two ultimate choices: submit to a culture that shames daughters for not honoring their mothers, or muster the courage to go her own way. Offering a bold and lucid look at mother-daughter relationships, Nobody’s Daughter underscores every woman’s right to truth and validation. In addition to Nobody’s Daughter, Rica Ramos-Keenum is the author of Petals of Rain: A Mother’s Memoir. She’s also contributed to several anthologies, including “Art in The Time of Unbearable Crisis” and “Forgiveness is the Hardest Thing.” She’s a former journalist and current mother of two adult sons and one 60 lb. rescue dog that thinks she’s a lapdog. Rica enjoys connecting with readers and…

Last year the Department of Justice won the anti-trust lawsuit against Penguin Random House when it had tried to acquire Simon & Schuster. The financial penalties led PRH to eliminate a good number of people from top executive positions. Not surprisingly, some of those great minds decided there might be a different business model for book publishing worth investing in and have started Authors Equity. Madeline McIntosh (former chief executive of PRH) Don Weisberg (former chief executive of Macmillan) and Nina von Moltke (former president of strategic development at PRH) provide executive leadership for Authors Equity with investments from some big name authors including Louise Penny and Tim Ferriss. Their business model signals an inflection point in publishing. Authors Equity won’t offer a contract with money upfront or guarantee payment, but it promises to provide authors with 70% of the profits in return for an initial investment. Successful authors recognize a better deal than 5% net profit on their books with traditional publishers. Subsidy publishing has gone mainstream. Advances on copyright royalties have dropped so low in recent years that it is untenable for authors to spend a year or two writing a manuscript for a few thousand dollars. Increasingly, agents are unable to sell manuscripts to the top trade publishers who are only acquiring new projects from authors who have previously had blockbuster sales. I now hear traditional publishers referred to as “legacy” publishers. There is a fundamental shift of financial risk from the publisher to the author underway.…

In Not Good Enough Girl, amidst the control, confusion, and chaos caused by her eight-times-married mother, Sondra Brooks’ story spans the extreme emotions of a mother-daughter relationship, touching on cyclical family dysfunction, addiction, and forgiveness. Beginning at the age of five, Sondra spends decades auditioning for the role of her authentic self. Her dazzling mother casts her as confidante and co-conspirator in her affairs and serial marriages. Sondra vacillates between fierce anger toward her mother—who does nothing to protect her from physical, sexual, and emotional abuse—and a desperate need for her love and approval. As an adult, Sondra enters into and stays in a toxic marriage for years, engaging in affairs with married men rather than divorcing. When therapy and AA eventually propel her out of the sense-deadening haze of alcohol and cigarettes, she summons the courage to tell her husband she plans to leave him. He reacts by playing on her biggest fear, telling her, “You’re going to turn out just like your mother.” Sondra attempts to establish a sober and separate identity, but tensions between her and her mother further increase when she marries someone new—a man who displaces her mother as the epicenter of her life—and her mother’s seventh marriage ends. During this time, traumatic childhood memories suddenly surface and a seismic shift occurs, freeing Sondra from her need for maternal connection. But establishing a life independent from her mother proves far more complicated than she could have imagined. Sondra R. Brooks graduated from Interlochen Arts Academy…