Writing Memoir: Author, Narrator, Protagonist Memoir has become nearly as popular a genre as fiction. It’s the stuff of which movies are made. Almost everyone I meet thinks they have a story worth telling. And today nearly everyone thinks they can publish their memoir. Brooke Warner, publisher of She Writes Press, recently suggested in The Huffington Post the pursuit of publication is a birthright. Finding a traditional publisher, however, is not. If you write a poem it does not make you a poet. This is not to suggest the only value found in writing poetry is in getting paid for it. The same is true for memoir. There are many reasons to write. Publishing is only one of them. A memoir intended to be sold as a book requires a writer collapse three roles into one: author, narrator, and protagonist. As an author, you write for an audience, for your readers. It means going public. Your personal life goes under review and readers judge you. Writing your story and publishing your story are two very different things. You need to write first before you can publish. But writing your story for the public may involve rewriting when you consider the ramifications of your words on those you write about and the effect it has on readers. As the narrator of the story, you write from your first-person point-of-view. The readers, however, judge a narrator on a variety of qualities, including how reliable you are. The narrator’s style and voice may…
What does a book development editor do? Professionally assess your manuscript or book concept for its publishing potential Offer critical feedback and editorial guidance Serve as writing coach as the author completes a manuscript Collaborate in the development of a winning book proposal Position and package the book concept to specific publishers Research what publishers are looking for in the current market Conduct market research… [Read More]
Social media marketing of books is an extension of the tried and true method of word-of-mouth advertising. Reviews and personal recommendations have historically played a more fundamental role in a reader’s decision of what book to read than traditional advertising. Today friends and family share what they are reading on Facebook, GoodReads, Twitter. What technology adds to the mix is a way for authors and… [Read More]
Jill Swenson: Cathryn Prince, this is your fourth book of historical non-fiction. Death in the Baltic: The World War II Sinking of the Wilhelm Gustloff is a featured selection for the Military History Book Club this spring, advance reviews are positive and Amazon sales rankings impressive.. How does your experience working towards publication on this fourth book compare to a decade ago with your first, Shot from… [Read More]
When you write a book, it needs to be about something. When someone asks what your book is about, how do respond? Do you stumble over your words trying to describe your book? Time to pin down your premise. Premise: The central idea, situation, or set-up which provides the foundation and pushes the narrative forward. What happens as a result of actions is another way… [Read More]
Do you have a non-fiction work-in-progress? Are you in search of structure to your manuscript? The organization and order of information in a non-fiction book is every bit as important as plot is to fiction. Immersing yourself in the subject matter is no guarantee that the structure of a book will reveal itself as self-evident. So how does a writer of non-fiction move from the… [Read More]



