There are three rules regarding negative reviews/feedback. Rule number one: do not respond. Rule number two: even when the reviewer completely misunderstood or misrepresents your book—do not respond. And, rule number three: especially when you feel a response is justified, and this case is the exception and calls for a response—do not respond. While there are many reasons you should observe this rule, the most important one has to do with what I think of as the reader’s code. This concerns basic agreement between all authors and readers. I will try to describe it with an example. John Irving wrote The Cider House Rules. He had certain ideas about the story and his message while his readers had their own, very separate, very strong, ideas. This is perfectly allowed. Once the book is published, the story no longer belongs to the author; it then belongs to the reader. It is up to the reader how they will experience that story and what message they will find. This relationship is a beautiful and powerful thing. When it is respected, there is a shared responsibility for the story. The most any writer can ask of a reader is to approach the book thoughtfully and if they make it to the end, have a personal emotional response to the book. However much a one star review might hurt, it is an emotional response. Some fantastic books out there have many one star, as well as five star reviews. Those are powerful responses and…
If you are a writer, you have likely been asked this question. Perhaps more than once. Before you answer, recognize the question is loaded like a gun and it could go off and hurt you. These requests from some authors contain two unjustified assumptions: one, you plan to read it, and two, you will write something nice about it. Caveat emptor – Buyer beware. More… [Read More]
You have polished a piece of your writing and are ready for someone else to read it. You take an enormous risk when you ask someone else for feedback. You make yourself vulnerable to being misunderstood or worse. It’s more than words on a piece of paper which stand in judgment. It’s you—your soul—on the line. Every red pen mark on the page feels like… [Read More]
Sometimes you just know when something is right. A combination of factors led me to sign up for my first writing retreat and it started with an email from a classmate of mine. Launched by Dulcie Witman and Regina Tingle, both MFA graduates of Goddard College, the retreat Wide Open Writing brings together creative people at a farmhouse in Tuscany. It was easy to say… [Read More]
Elaine Mansfield is the author of Leaning Into Love: A Spiritual Journey Through Grief (Larson, 2014). Gold Medal Winner of the Independent Publisher Book Award 2015, her memoir captures your heart—from the extraordinary closeness of Elaine’s marriage to how she and Vic transformed their struggle with cancer and despair into a conscious relationship with mortality. After Vic’s death, Elaine leaned into her ongoing love as… [Read More]
Pantser or plotter? Do you write by the seat of the pants or from an outline? You need to do both. Here’s why. The process of writing a book manuscript requires both kinds of writing. Intense periods of writing uninterrupted in a generative flow experience and critical reflection on the narration as narrative. After some time and distance between you and your copy has passed,… [Read More]



