In the pre-dawn hours of February 18, 1942, three American warships zigzagged in convoy along the south coast of Newfoundland. Caught in a raging blizzard, the three ships ran aground on one of the most inhospitable stretches of coastline in the world—less than three miles apart, within eight minutes of each other. The Wilkes freed herself. The Truxton and Pollux could not. Fighting frigid temperatures, wild surf, and a heavy oil slick, a few sailors, through ingenuity and sheer grit, managed to gain shore—only to be stranded under cliffs some 200 feet high. From there, local miners mounted an arduous rescue mission. In Hard Aground, based on eyewitness accounts of survivors and rescuers, and corroborated by archival and historical research, Bett Fitzpatrick tells the story of the men who saved themselves, the miners who carried survivors up the cliffs on their backs, and to the people of St. Lawrence who opened their homes and their hearts to the victims. Among them are seaman Edward Bergeron, who scaled the cliff and brought help, Lanier Phillips, the only black man to survive, Ena, who collected food and blankets and snapped the only pictures of that horrific day, and Clara, who took the last survivor home and nursed him through the night. Bett (Dorion) Fitzpatrick, grew up in Newfoundland when there wasn’t a child who didn’t know the story and the people who carried up the cliffs the 186 U.S. service men who survived the shipwrecks of the USS Truxton and USS Pollux. Award-winning author of Melanie Bluelake’s Dream (1995), Bay Girl (1998), and Whose Side Are You…

Releasing this month, Blooming Hollyhocks: Tales of Joy During Hard Times by Naomi Helen Yaeger is a work of creative nonfiction telling the story of the author’s mother growing up in a small prairie town in the 1930s and ‘40s during the Great Depression and World War II. “With faith, family, and grit, she rose from heartbreak to hope, offering a story for anyone who’s ever longed to serve, to belong, or to make a difference.” Naomi Helen Yaeger is a Duluth-based writer, reporter, and Earthkeeper. Her work has appeared in the Grand Forks Herald, the Sioux County Index-Reporter (Hull, IA), the Duluth Budgeteer, and nowadays in Duluthian, Positively Superior, and Northern Wilds. She lives in Duluth, Minnesota, where she enjoys the beauty of nature with her husband and their faithful dog. To celebrate the upcoming release, I am pleased to share this Q&A with the author. You discuss it a bit in the “Note to the Reader,” but what did your research process look like while writing Blooming Hollyhocks? Were there any surprising discoveries you made during your research? Naomi Helen Yaeger: My research involved recording my mom and uncle while asking them questions. I also verified as much as possible. She told me she had a big birthday celebration for her 12th birthday, which was on a Friday. Even though the family was Protestant (Methodist), her mom wondered what to serve because many of the Catholics had to have fish on Fridays, and half the town were observant…

In Not Good Enough Girl, amidst the control, confusion, and chaos caused by her eight-times-married mother, Sondra Brooks’ story spans the extreme emotions of a mother-daughter relationship, touching on cyclical family dysfunction, addiction, and forgiveness. Beginning at the age of five, Sondra spends decades auditioning for the role of her authentic self. Her dazzling mother casts her as confidante and co-conspirator in her affairs and serial marriages. Sondra vacillates between fierce anger toward her mother—who does nothing to protect her from physical, sexual, and emotional abuse—and a desperate need for her love and approval. As an adult, Sondra enters into and stays in a toxic marriage for years, engaging in affairs with married men rather than divorcing. When therapy and AA eventually propel her out of the sense-deadening haze of alcohol and cigarettes, she summons the courage to tell her husband she plans to leave him. He reacts by playing on her biggest fear, telling her, “You’re going to turn out just like your mother.” Sondra attempts to establish a sober and separate identity, but tensions between her and her mother further increase when she marries someone new—a man who displaces her mother as the epicenter of her life—and her mother’s seventh marriage ends. During this time, traumatic childhood memories suddenly surface and a seismic shift occurs, freeing Sondra from her need for maternal connection. But establishing a life independent from her mother proves far more complicated than she could have imagined. Sondra R. Brooks graduated from Interlochen Arts Academy…