Six or seven years ago my advice to aspiring authors of nonfiction books was to build an audience platform by blogging. An example of how critical blogging could be to securing a publishing contract can be found in the case of Ann Marie Ackermann, author of Death of an Assassin: The True Story of the German Murderer Who Died Defending Robert E. Lee. After an initial assessment of her manuscript, I had recommended she start a historical true-crime blog, and she did. In fact, the editor of the ideal book series at Kent State University Press became a fan of her blog and invited her to submit a book proposal. Her book won a 2018 IPPY in the True Crime category, closed a 180-year-old cold case, and has also been translated into German where it received critical acclaim and was recognized for its scholarly contribution to the history of forensics. Today, blogging may or may not be something an author decides to invest time and energy in. If your authority as an author is based on your subject-area expertise, it remains an important goal to have a visible presence on the internet establishing your credibility. Whether blogging is the best means to achieve that goal depends on you and your project. It may be more important to be listed as an expert source available to journalists and appear as a credible source in news publications covering your subject area. HARO (Help A Reporter Out) may be a better fit to…

Ann Marie Ackermann, author of Death of an Assassin: The True Story of the German Murderer Who Died Defending Robert E. Lee, will be at Purdue University in West Lafayette, Indiana, on April 9. She will give a book talk with the Tippecanoe Civil War Roundtable. This is her third trip from Germany to the U.S. to promote her book since it was released by Kent State University Press in September 2017. This September, the German edition will be released by Silberburg Verlag. Ann Marie Ackermann agreed to write a guest post on the method she used to adhere to copyright laws in the U.S., and for the new edition, in Germany. Welcome Ann Marie Ackermann. You can’t control where lightning will strike. Your best protection is a lightning rod, so that when it does strike, the shock will be deflected. Copyright law is no different. You can’t control whether someone sues you, but advance preparation can help keep liability from sticking. Physicians ask for informed consent agreements, family lawyers ask for prenuptial agreements, and insurance contracts restrict the type and amount of damages. Each example is nothing more than a liability lightening rod. As an author, you need a lightning rod too. If you plan to reproduce images or quote other authors, you need to secure written permission unless the material is in the public domain. Good records of your permissions will help you and your publisher in the long run. Not only will it speed up the book’s…

By Ann Marie Ackermann When the director pointed out a plot hole in my movie script, I winced. We were walking through the old section of a German town, scouting possible shooting locations, and she was trying to imagine the film, scene for scene. “If you don’t put the murderer and victim together right away,” she said, “the audience won’t figure out their connection. We need to add a scene of the murderer stalking the victim at the beginning so they don’t come across as two separate characters with separate stories.” Ouch. Why didn’t I think of that? In 2017, I published a book about the murder case, the record-breaking 1835 assassination of a German mayor. When the local museum in my German town decided to create a film for a museum exhibition on the murder, they asked me to write the script, and then we hired a film school to produce it. A historical murder is not only a fun topic for students learning their craft, but we reaped the benefits of working with school’s staff, including a professional director and cameraman. The director’s comment about the plot hole made me realize she was a writer, too, and that I, as an author, can learn from her. Here are some of the things I picked up. I hope they can help you,  too. Directors are visual story tellers. Our medium consists of words, theirs, images and sound, but we both share a passion for clear communication of plot points,…