Six weeks of sabbatical from blogging this summer passed quickly. Too quickly. Sweetly slipped through my fingers. Like melting ice cubes. Rippling waves against ancient cliffs on Lake Superior’s shores. Finding the time and space and inspiration to write and do research without worrying about what anybody else thinks. Need I say more? The website redesign gave me the perfect excuse to pause and reflect… [Read More]
It is the author’s responsibility to seek endorsements for their books and publishers expect you to get them. Blurbs – often only a few words from an endorsement from a high profile author, celebrity or expert – appear on a book’s cover or dust jacket flaps. Blurbs are used in letters to solicit book reviews, on tip sheets to booksellers, in marketing materials and press… [Read More]
The single most effective marketing method for book sales remains the power of a personal recommendation. It’s advertising you just can’t buy. Hence so much focus on reviews and endorsements for your book. This also explains the current appeal of social media marketing in an author’s marketing toolkit. If your friend on Facebook likes a book, you might too. Pinterest, Instagram, Vine, Tumblr, and Twitter… [Read More]
From the start of a writing project, an author needs to find a way to organize all of their contact information. Everywhere you go as an author, you will meet people whom you will want to reach when your book is released. It is never too soon to start your database of professional connections. Business cards, slips of paper, cocktail napkins, ripped corners from envelopes,… [Read More]
You created a strong relationship with your local bookstore. You shop there. You know the staff and are familiar with the inventory, programs and events. And now you’ve committed yourself to a public reading of your work-in-progress at your local independent bookstore. How can an author best prepare to make the experience – for the bookstore, for those who attend, and for an author – a… [Read More]
The return on your investment of time and energy spent on building an audience platform depends largely on an author’s strategy. I’ve observed too many authors spinning their wheels with the challenges of the technology, losing sight of the objectives, and missing opportunities to learn more how to market their own books. Here are some tactics that lead to epic failures in social media strategies… [Read More]
Writing is not easy. As a developmental editor I have had the pleasure of working with fine artists, storytellers, public speakers, radio journalists, scientists, and college professors on book projects.For many, their authority as an author is based on skills and talents other than writing. Here are some tips I gathered from other professionals that may help others stand on their authority based on expertise… [Read More]
Before the advent of Facebook, Twitter, or LinkedIn, an author only needed to demonstrate to agents, editors, and publishers that his or her book had a potential audience. Today, an author has to show customers waiting to buy the book when it is released. Book marketing in the digital era of transmedia is about pulling readers in to the author’s platform rather than pushing books… [Read More]
While the rest of the working world looks forward to Fridays, if you are an author whose proposal and/or manuscript is under review with a publisher there may be dread for this day of the week. Rejection letters are often sent out on Fridays. You might wonder why Friday. Rejection letters are never welcomed and often unintentionally inflict emotional injuries. The urge to respond and… [Read More]
More than any other reason, acquisition editors use the lack of an audience platform to reject a book project. They look at more than the numbers of followers, friends, tweeps and subscribers to assess the size of your reading audience. Social media metrics are one indication of an author’s potential customer base. There are many others. Here’s a list of what an agent or acquisition… [Read More]
