Learning how to become an editor doesn’t happen overnight. Editing isn’t a college major. Some English degree programs offer a specialization in editing and publishing, most do not. There are a handful of certificate programs in professional and graduate degree programs, but the art of editing goes far beyond knowing grammar and the basics of copyediting. A full-time job as an editor isn’t an entry-level position and many recent graduates who might one day become editors have a difficult time navigating a route to this career goal. Many publishers won’t hire someone full-time who hasn’t already had an internship or two. And while they offer internships, typically they are unpaid and sometimes require a student register for college course credit. Instead of getting paid to work, they pay several thousands of dollars in tuition to gain valuable work experience. As a former college professor who supervised some of these internships, I would be disheartened to learn students had been given low-level tasks to perform which did not increase their skill sets or worse, had them perform tasks which the company ought to have hired an employee to do. Too often, interns provided an unpaid labor pool instead of an apprenticeship. Cultivating the next generation of editors requires mentors who can offer educational opportunities within a workplace setting. Instead of treating an intern as unpaid labor, cultivating their strengths and working on building new skill sets takes time and effort that goes beyond the regular work demands of running a business.…
Ava Russell begins her summer internship with Swenson Book Development LLC, on Tuesday after Memorial Day weekend. She is an English literature major at SUNY Geneseo. Last summer she interned as an editorial assistant for Fresh Dirt Ithaca magazine. Copyeditor for her college newspaper, The Lamron, Ava Russell also tutors fellow Geneseo students in writing. Spring semester in London gave her a permanent travel bug,… [Read More]
What does a book development editor do? Professionally assess your manuscript or book concept for its publishing potential Offer critical feedback and editorial guidance Serve as writing coach as the author completes a manuscript Collaborate in the development of a winning book proposal Position and package the book concept to specific publishers Research what publishers are looking for in the current market Conduct market research… [Read More]
Social media marketing of books is an extension of the tried and true method of word-of-mouth advertising. Reviews and personal recommendations have historically played a more fundamental role in a reader’s decision of what book to read than traditional advertising. Today friends and family share what they are reading on Facebook, GoodReads, Twitter. What technology adds to the mix is a way for authors and… [Read More]
Jill Swenson: Cathryn Prince, this is your fourth book of historical non-fiction. Death in the Baltic: The World War II Sinking of the Wilhelm Gustloff is a featured selection for the Military History Book Club this spring, advance reviews are positive and Amazon sales rankings impressive.. How does your experience working towards publication on this fourth book compare to a decade ago with your first, Shot from… [Read More]
When you write a book, it needs to be about something. When someone asks what your book is about, how do respond? Do you stumble over your words trying to describe your book? Time to pin down your premise. Premise: The central idea, situation, or set-up which provides the foundation and pushes the narrative forward. What happens as a result of actions is another way… [Read More]



