See what some of our authors tell us they are reading this summer. Cathryn Prince, author of American Daredevil: The Extraordinary Life of Richard Halliburton, the World’s First Celebrity Travel Writer (Chicago Review Press, June 1, 2016) Ulysses S. Grant: Memoirs and Selected Letters by Ulysses S. Grant End of Watch by Stephen King A Great Reckoning by Louise Penny Ira Rabois, author of the forthcoming Compassionate Critical Thinking: How Mindfulness, Creativity, Empathy, and Socratic Questioning Can Transform Teaching (Rowman & Littlefield, September 30, 2016) Siddhartha’s Brain: Unlocking the Ancient Science of Enlightenment by James Kingsland. Who Rules the World by Noam Chomsky Elizabeth Rynecki, author of forthcoming Chasing Portraits: A Great-Granddaughter’s Quest for Her Lost Art Legacy (Penguin Random House, September 6, 2016) Syrian Dust: Reporting From the Heart of the War by Francesca Borri The First Fifteen Lives of Harry August by Claire North Carolyn Porter, author of forthcoming Marcel’s Letters (Skyhorse, Spring 2017) Angels of the Underground: The American Women Who Resisted the Japanese in the Philippines in World War II by Theresa Kaminski Lighthouse Road: A Novel by Peter Geye Elaine Mansfield, author of Leaning into Love: A Spiritual Journey Through Grief (Larson Publication, October 2014) Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants by Robin Wall Kimmerer Crossing the Owl’s Bridge: A Guide for Grieving People Who Still Love by Kim Bateman On Writing: A Memoir of the Craft by Stephen King The Myth of the Goddess: Evolution of an Image by Ann Baring and Jules Cashford Tina Peterson, author of Oscar and the Amazing Gravity Repellent (Capstone, September…
Vinyl records, No. 2 pencils, yellow-ruled tablets and cork bulletin boards. What I thought I needed in the 1970s to write has changed. But I still need a place to stick things that I don’t yet know where to file but inspire. I’ve used the outside of kitchen cupboard to tape up newspaper clippings, flyers for upcoming events, photographs, maps, postcards, and ticket stubs. Push-pin… [Read More]
I read a lot, for both work and pleasure. When I read for work, my eyes scan every line, sentence, paragraph, page, chapter, and full manuscript for different criteria. I check spelling, grammar, punctuation, style, voice, tense, pacing, continuity, plot, narrative arc, tension, climax, resolution, and other less definable qualities such as honesty, heart, and whether the work might bring something new and necessary into… [Read More]
Shortly after her novel Ten Thousand Saints came out in early 2011, Eleanor Henderson answered a question at a book reading held at Buffalo Street Books in Ithaca. When asked how long it took her to write the novel, Henderson said nine years. Nine years. She explained that the first version didn’t even include several of the central characters in the final version. It made… [Read More]
POV. Point of View. When you begin to write, you must decide who will tell the story. You will, of course. Duh. You are the narrator if you are the writer. But who are you? Are you the heroic character? The omniscient voice of God? The fly on the wall? Journalist reporting from the scene? How do you find the right narrator’s voice? One of… [Read More]
Tina L. Peterson’s debut novel OSCAR AND THE AMAZING GRAVITY REPELLENT, about an intrepid third-grader who takes on bullies and other forces of nature with the help of a magical potion, to Alison Deering at Capstone, in a nice deal by Jill Swenson of Swenson Book Development, February 11, 2014. Tina L. Peterson has been fighting gravity her whole life. She was never any good at… [Read More]



