Ann Marie Ackermann, author of Death of an Assassin: The True Story of the German Murderer Who Died Defending Robert E. Lee, will be at Purdue University in West Lafayette, Indiana, on April 9. She will give a book talk with the Tippecanoe Civil War Roundtable. This is her third trip from Germany to the U.S. to promote her book since it was released by Kent State University Press in September 2017. This September, the German edition will be released by Silberburg Verlag. Ann Marie Ackermann agreed to write a guest post on the method she used to adhere to copyright laws in the U.S., and for the new edition, in Germany. Welcome Ann Marie Ackermann. You can’t control where lightning will strike. Your best protection is a lightning rod, so that when it does strike, the shock will be deflected. Copyright law is no different. You can’t control whether someone sues you, but advance preparation can help keep liability from sticking. Physicians ask for informed consent agreements, family lawyers ask for prenuptial agreements, and insurance contracts restrict the type and amount of damages. Each example is nothing more than a liability lightening rod. As an author, you need a lightning rod too. If you plan to reproduce images or quote other authors, you need to secure written permission unless the material is in the public domain. Good records of your permissions will help you and your publisher in the long run. Not only will it speed up the book’s…
Myth #1: “Fair Use under the US Copyright Law covers this.” It does not. “Fair Use” pertains to educational use only; not for profit. Publishing, however, has a commercial intent and therefore authors are not excused from seeking copyright permission for work that is not original. This includes photographs, poems, song lyrics, artwork, or an excerpt from another book or publication. Myth #2: “It must… [Read More]
This summer Samantha Kolb completed an internship with Swenson Book Development LLC. Here she shares some of what she learned in the last 10 weeks. As an English major, I have learned to endure perplexed looks when family and friends ask what my major is. I have also learned to gracefully answer no to the follow-up question; “Oh, are you going to be an English… [Read More]
The business of publishing continues to evolve and new finance models have emerged in recent years. There is a lot of new middle ground between self-publishing – Amazon, Smashwords, Lulu – and the traditional route of finding an agent who sells your work to one of the big commercial trade presses – Penguin Random House, Hatchette Book Group, Harper Collins, Macmillan, and Simon & Schuster…. [Read More]
Blame Aristotle. Blame classical Greek culture. Blame all of Western Civilization. But every story must have a beginning, middle, and end. And more than that. Without narrative structure, non-fiction writing is just a boring recitation of one thing after another. You may think because it is based on your experiences, historical events, scientific experimentation, or natural observations that you don’t need a story to write… [Read More]
Often when people plan to write a book, they dream their book will get published by one of the big publishers – Hatchette, Penguin Random House, Simon & Schuster, or HarperCollins. My story is different and I’ve always been grateful to have gotten in on the ground floor with a small publisher. When my son was about 6 months old, I began working very part-time… [Read More]



