Six or seven years ago my advice to aspiring authors of nonfiction books was to build an audience platform by blogging. An example of how critical blogging could be to securing a publishing contract can be found in the case of Ann Marie Ackermann, author of Death of an Assassin: The True Story of the German Murderer Who Died Defending Robert E. Lee. After an initial assessment of her manuscript, I had recommended she start a historical true-crime blog, and she did. In fact, the editor of the ideal book series at Kent State University Press became a fan of her blog and invited her to submit a book proposal. Her book won a 2018 IPPY in the True Crime category, closed a 180-year-old cold case, and has also been translated into German where it received critical acclaim and was recognized for its scholarly contribution to the history of forensics. Today, blogging may or may not be something an author decides to invest time and energy in. If your authority as an author is based on your subject-area expertise, it remains an important goal to have a visible presence on the internet establishing your credibility. Whether blogging is the best means to achieve that goal depends on you and your project. It may be more important to be listed as an expert source available to journalists and appear as a credible source in news publications covering your subject area. HARO (Help A Reporter Out) may be a better fit to…

Author of Queen of the Mountaineers and American Daredevil, Cathryn J. Prince has signed a publishing contract for her next book, For the Love of Labor: The Pioneering Life of Pauline Newman, with University Press of Kentucky for a 2024 release. Before Greta Thunberg, Emma Gonzalez, or Malala Yousafzai, there was Pauline Newman. She had been union organizing since the age of 16 before the Triangle Shirtwaist Factory killed her comrades. She had arrived in the tenements of the Lower Eastside with her recently widowed mother and younger siblings from Lithuania working in the garment district at the age of 11. The first female organizer of one of America’s most powerful unions, the International Ladies Garment Workers Union, she led strikes and carried on the fight to end child labor. She spent eight days in the White House conferring with Francis Perkins, President Roosevelt and others for the New Deal. Part of the Eleanor Roosevelt’s circle of women who spent time at her cottage Val-Kill, Pauline Newman and her partner, Frieda Miller, lived together for more than a half-century, raising a daughter and doting on her two grandsons. For the Labor of Love: The Pioneering Life of Pauline Newman is the first full-scale biography to illustrate how a teen activist spent a lifetime pursuing social justice. Cathryn J. Prince is an author of six previous books, a free-lance journalist, and a journalism educator at Fordham University and SUNY-Purchase. She holds an M.S. in journalism from Columbia University, a B.A. in…

By Ann Marie Ackermann When the director pointed out a plot hole in my movie script, I winced. We were walking through the old section of a German town, scouting possible shooting locations, and she was trying to imagine the film, scene for scene. “If you don’t put the murderer and victim together right away,” she said, “the audience won’t figure out their connection. We need to add a scene of the murderer stalking the victim at the beginning so they don’t come across as two separate characters with separate stories.” Ouch. Why didn’t I think of that? In 2017, I published a book about the murder case, the record-breaking 1835 assassination of a German mayor. When the local museum in my German town decided to create a film for a museum exhibition on the murder, they asked me to write the script, and then we hired a film school to produce it. A historical murder is not only a fun topic for students learning their craft, but we reaped the benefits of working with school’s staff, including a professional director and cameraman. The director’s comment about the plot hole made me realize she was a writer, too, and that I, as an author, can learn from her. Here are some of the things I picked up. I hope they can help you,  too. Directors are visual story tellers. Our medium consists of words, theirs, images and sound, but we both share a passion for clear communication of plot points,…