Writing is a lonely business. Sitting for hours, working and reworking the same scenes, trying your best to deal with rejection and still maintain some kind of hope… A caring partner or friend may give encouragement and support. But eventually, the hardworking writer will need more than even the most sympathetic supporter can provide. When this happens, the writer needs to set up her own… [Read More]
Writing Memoir: Author, Narrator, Protagonist Memoir has become nearly as popular a genre as fiction. It’s the stuff of which movies are made. Almost everyone I meet thinks they have a story worth telling. And today nearly everyone thinks they can publish their memoir. Brooke Warner, publisher of She Writes Press, recently suggested in The Huffington Post the pursuit of publication is a birthright. Finding… [Read More]
Check your facts. You might not be Brian Williams. Maybe you don’t plan to write a memoir about your experience in the war against terrorism, cancer, death, or addiction. If you are a professional writer, you need to know facts still matter. Especially to your readers. If you write nonfiction, your credibility as an author depends on it. Corroborate your facts with additional documentation. Immerse… [Read More]
Passive voice weakens your writing. It obscures responsibility for action. Those who learn English as a second language struggle to make sense of the many ways in which Americans use passive verb constructions in everyday speech. It often finds its way into our writing. Rarely is the writer conscious of this problem in their writing. Passive voice is used by victims. Instead of actors, they… [Read More]
Will you read what I’ve written? As soon as I think I’ve finished writing a new piece, there’s that irresistible urge to get feedback from a reader. What do you think, eh? It’s more than yearning for instant ego gratification. That’s pretty nice, too. But it won’t help me take my writing to the next level. The sense of accomplishment from getting it down on… [Read More]
The coffee shop is packed with them: young, hip, ironic writer types purporting to work on short stories, dissertations, even a couple of novels. Small wobbly tables support MacBook Pros with Retina Displays, along with half empty mocha latte cups, and the latest version of iPhone. The human operators of these machines are creative and intelligent, if somewhat distracted. In between all of their tweeting,… [Read More]
It is the author’s responsibility to seek endorsements for their books and publishers expect you to get them. Blurbs – often only a few words from an endorsement from a high profile author, celebrity or expert – appear on a book’s cover or dust jacket flaps. Blurbs are used in letters to solicit book reviews, on tip sheets to booksellers, in marketing materials and press… [Read More]
I read a lot, for both work and pleasure. When I read for work, my eyes scan every line, sentence, paragraph, page, chapter, and full manuscript for different criteria. I check spelling, grammar, punctuation, style, voice, tense, pacing, continuity, plot, narrative arc, tension, climax, resolution, and other less definable qualities such as honesty, heart, and whether the work might bring something new and necessary into… [Read More]
POV. Point of View. When you begin to write, you must decide who will tell the story. You will, of course. Duh. You are the narrator if you are the writer. But who are you? Are you the heroic character? The omniscient voice of God? The fly on the wall? Journalist reporting from the scene? How do you find the right narrator’s voice? One of… [Read More]
While a great first chapter may interest acquisitions editors in reading your full manuscript, your last chapter may determine whether you get a contract offer or not. Reader dissatisfaction with the ending is the kiss of death to book sales. Perhaps you’ve even put down some of these books that have very well crafted first chapters that landed them a book contract but couldn’t sustain… [Read More]
