Writing a query letter that hooks an agent or acquisitions editor for your non-fiction book concept is the golden key that opens the door to publishing. So how do you hook ’em?
Think of your query letter as a sales pitch for the book. Accept the fact that those who read your initial correspondence are trained, so to speak, to judge books by their covers and make their first impressions based on marketability. As an author you can make their job easier by preparing a winning pitch.
Publishers, once they have signed an author on contract to deliver a manuscript, will produce a “tip sheet” to sell your title to distributors through their sales reps. Writing a query letter that models itself on what information the publisher will use to promote your book is an effective strategy.
Does your pitch provide a current or contemporary hook that pulls in the reader by the relevance of your book concept?
Does your pitch demonstrate your authority as an author?
Do you compare your book to others in the same genre and/or subject area and make your approach distinctive?
Do you communicate clearly and concisely a synopsis of the narrative?
Do you connect your book concept with marketing to its audience?
Do you leave the reader wanting to know more because you have a compelling story to tell? Tease the reader with the most newsworthy aspects and/or the most surprising results or conclusions.
In short, your job as an author is to pitch your book concept highlighting its marketing features.
Go ahead and try out your pitch on friends and family. Pretend you have an elevator ride with an agent or acquisition editor to convince them they need to read your proposal. Imagine you have to sell your concept to Hollywood and only have 30 seconds of a producer’s attention.
Hook ’em with relevance, currency, significance, and import. Tell ’em the answers to “so what” and “who cares” questions. Polish that pitch.
Writing and Listening — an Interview with Brooke Randel
As a young girl Brooke Randel knew little about the Holocaust—just that it was a catastrophe in which millions were murdered, and that her grandma Golda Indig barely escaped that fate. But her Bubbie never spoke about what happened, and the two spent most of their time together making pleasant memories: baking crescent roll cookies, playing gin rummy, and watching Baywatch. Until an unexpected phone call when Golda said, out of the blue: “You should write about my life. What happened in the war.” What results is a fascinating memoir—about one woman’s harrowing survival, and another’s struggle to excavate theRead more…